I am interested in what gets lost between the headline and the lived reality: the context removed, the power left unnamed, the voices turned into evidence, symbols, or background noise. My work begins in that gap.

I follow stories through the people who carry them, and challenge the systems that decide how they are seen, heard, believed, remembered, or erased. I am drawn to what public narratives often flatten: the private cost of political events, the body inside history, the silence around what cannot be easily documented.

My practice takes different forms — reported essays, interviews, translation, podcasts, narrative nonfiction, and visual or literary experiments. I trace questions rather than arrive with answers, and I stay close to the details that make a story more difficult, more precise, and more human.

My work stays with what is contested and often misread: the details, silences, and contradictions that shape how a story is seen, believed, remembered, or erased.